《漢畫總錄》是一個意義重大、影響深遠的國家級文化搶救和文化建設(shè)項目,以照片、拓片、線描及墓葬位置復(fù)原圖等方式記錄漢畫圖像,對圖像的出土地點、年代、尺寸、材質(zhì)、考古環(huán)境、畫面內(nèi)容、圖像關(guān)系等作全面著錄。項目計劃正編150冊,補遺50冊,將通過構(gòu)建一部完整的漢代圖像志,為今后漢畫的保存、再現(xiàn)、使用等提供有力的支持和保障,為中國上古晚期的思想、政治、經(jīng)濟、文化研究奠定堅實的基礎(chǔ)。作為本學(xué)術(shù)工程的第二期,《漢畫總錄》(11—30冊)對南陽地區(qū)的漢畫作了調(diào)查、整理、著錄,正編范圍限于南陽漢畫館所藏南陽及其諸縣出土和征集的畫像石,其他因客觀原因暫未收錄的部分,將在補遺卷中與南陽地區(qū)的畫像磚及其他材質(zhì)、器物上的圖像一并陸續(xù)著錄。
作為一項奠基性的工作,《漢畫總錄》全面收集整理全球所藏中國漢代圖像,將把中國漢代乃至上古晚期歷史研究推進到一個新的高度,并使?jié)h畫研究成為一門與敦煌研究、簡帛研究、甲骨文研究同等重要的專門學(xué)科,對中華文化的保存、研究、傳承具有重要意義。
本項目已被列為國家“十二五”重點出版項目,是一代學(xué)人心血之所系。
一句話推薦:最新最全面的漢畫研究性圖錄
朱青生:德國海德堡大學(xué)博士,北京大學(xué)教授,北京大學(xué)漢畫研究所所長,中國漢畫學(xué)會副會長。主要學(xué)術(shù)成果如下:
1.專著:《將軍門神起源研究》《沒有人是藝術(shù)家,也沒有人不是藝術(shù)家》《十九札》等;
2.主編:《中國漢畫研究》(中國漢畫學(xué)會 北京大學(xué)漢畫研究所學(xué)刊);
3.主持課題:2012年度國家社科基金重大項目“中國漢代圖像數(shù)據(jù)庫與《漢畫總錄》編撰研究”、《漢畫綜述》等。
王清建:南陽漢畫館副館長,主編《南陽漢代畫像石墓發(fā)掘報告集》(上、下冊)(中州古籍出版社,2012年),在《華夏考古》《南都學(xué)壇》等刊物發(fā)表有《試析南陽漢畫像石的藝術(shù)特色》《河南南陽漢代畫像石中的民俗初探》《新獲裴濟墓志與裴濟事跡考辨》等文。
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