★ 由英語學(xué)界泰斗、英文教育界先驅(qū)、陸谷孫恩師葛傳椝先生撰寫! 全書以簡明地道的英文寫成。 ★ 指出中國英語學(xué)習(xí)者在寫作中遇到的難題并一一解答! 包含摘自現(xiàn)代英語中的大量實(shí)例! 配以切合實(shí)際的練習(xí)題,鞏固寫作技巧! 對慣用法、習(xí)語和遣詞造句等有關(guān)問題進(jìn)行了詳實(shí)闡述。
CONTENTS
CHAPTER I INTRODUCTION
1. Composition and Compositions
2. Purpose of This Book
3. Your Advantage
4. Your Special Difficulties
5. Rhetoric
CHAPTER II MECHANICS OF COMPOSITION
6. Materials
7. One Side or Two Sides?
8. Margins
9. Spacing
10. Titles
11. Paging
12. Folding
CONTENTS
CHAPTER I INTRODUCTION
1. Composition and Compositions
2. Purpose of This Book
3. Your Advantage
4. Your Special Difficulties
5. Rhetoric
CHAPTER II MECHANICS OF COMPOSITION
6. Materials
7. One Side or Two Sides?
8. Margins
9. Spacing
10. Titles
11. Paging
12. Folding
13. Endorsing
14. Spelling
15. Syllabication
16. Underlining
17. Italics
18. Omissions, Corrections, and Insertions
19. A Warning
CHAPTER III LEARNING TO WRITE
20. Something to Say
21. How to Say It
22. A Consolation
23. Others May Have Said It before You
24. What to Read
25. How to Read
26. Some Dictionaries Recommended
27. Self-cultivation
28. Writing from Memory
29. Imitation, Conscious and Unconscious
30. Reading Dictionaries
31. Expressing Another Person’s Thoughts
32. Paraphrasing Sentences
33. Suggestions for Paraphrasing
34. Paraphrasing Paragraphs
35. Paraphrasing Verse
36. Condensing
37. Various Degrees of Condensation
38. Suggestions for Condensing
39. Using Materia1 in Han
40. Expressing Your Own Thoughts
41. Keeping a Diary
42. Choosing a Subject
43. Choosing a Title
44. Taking Notes
45. Making an Outline
46. Note-taking and Outline-making in the Head
47. Making Outlines of What You Read
48. Expanding an Outline
49. Practice in Composition
CHAPTER IV WRITING CORRECTLY
50. What is Correct English?
51. Usage
52. Present-day Usage
53. Neologisms
54. English and American Usage
55. Good Usage
56. Expressions Outside of Good Usage
57. Colloquialisms Etc in Written English
……
CHAPTER V WRITING CORRECTLY (Continued)
CHAPTER VI WRITING WELL
CHAPTER VII PARAGRAPHS
Chater VII FORMS OF COMPOSITION